Show Off Once in Every World

The camera was in place and the red light turned on. People on the set exchanged glances. Some people with sharp eyes immediately saw Director Lin’s tactic from the arrangement of the camera positions. Of course he would not change actors at this juncture, but he was not prepared to indulge the child’s temper, so he only planned to shoot the little girl’s back and profile.

Wen Ying and Tao Jialin are about the same height, so this scene was perfect for this intervention. Even if it really couldn’t be used, and everyone’s time was still wasted in the end, the young child actress will at least remember this lesson.

It was obvious that Tao Jialin didn’t know Director Li’s thoughts. When she saw that her position was really taken away, she panicked and burst into tears.

The assistant was worried and worked hard to calm her down.

The others gathered around the camera with great interest to “watch the show.” The character played by Tao Jialin in this movie is a heroine who was abducted by human traffickers ever since she was a child and suffered a lot. The scene to be filmed now happened to be the scene where she was abducted. Due to her parents quarreling, she ran out after her mother who left angrily, but her mother didn’t hear her cry. Instead, the traffickers took this opportunity and kidnapped her.

First up, the scene of Wen Ying chasing her mother was filmed. The camera slid along the camera track and focused on her back. The location was in a small alley, and her mother’s figure in front of her had gradually disappeared. She chased while pleading, “Don’t you want me anymore?” “Mom, can you look back at me please?”

Someone glanced at the script and saw that every word was correct, but there were not many words in this scene, so it was not unusual for her to be able to remember it in such a short time.

Seeing that her “Mom” was unmoved and disappeared after a bend, the little girl panicked and shouted aggrievedly: “Mom——”

In front of the monitor, the director had been paying attention to Wen Ying’s performance. As far as her back view was concerned, this was acceptable. He was about to relax when suddenly, he noticed a detail——the little girl’s shoulders twitched slightly. For some reason, he felt moved and gave the photographer a gesture to advance the cameras.

The photographer immediately zoomed in on Wen Ying and focused on her facial expression.

At this moment, Director Lin felt his scalp numb while observing the screen.

The girl’s expression was not as frozen as he thought. On the contrary, every facial nerve in her face was in the most appropriate position. Her eyes were red, and the tears in her eyes seemed to be too heavy to bear, and they were about to fall down, but they did not fall.

Terrifying and precise control. If it were any mature actor, Director Lin would be able to understand the other party’s intentions. This is a pause made to allow the camera to capture the best picture.n/ô/vel/b//jn dot c//om

But——a 12-year-old girl who has never produced a film?

He couldn’t believe this.

Suddenly, a pair of big hands covered the girl’s mouth.

In order to deepen the sense of unknown fear, the kidnapper did not show his face, and the camera focused on the hands. The dark and rough hands formed a sharp contrast with the girl’s delicate and fair face. What people were particularly concerned with was the girl’s eyes. Her eyes suddenly opened wide, her pupils shrank, and the tears hung tight suddenly fell. She highlighted only one emotion——horror. Her interpretation of the single but difficult-to-express emotion produced goosebumps.

It was just a brief shot, but after one glance, it still lingered in their cerebral cortex. As long as they close your eyes, they can recall those eyes full of fear, which unknowingly arouses empathy and is unforgettable.

Her tears also connected the two shots together, with proper connection and appropriate emotion.

Director Lin’s expression has completely changed, from casual, to shock, to being unable to look away.

His gaze stayed motionless on the monitor, and even the assistant director noticed something was wrong and signaled him to end it without him noticing.

This is a shocking feeling of facing the top monster in the industry, which is both surprising and worrying. He has directed countless films in his life, but there are only a few people who can make him feel this way, and this girl, based on her age, is simply a monster among monsters.

The whispers around him startled him, and he finally noticed the assistant director’s private reminder.

“Cut.” He came to his senses hastily and praised again as if he had woken up from a dream, “……very good.”

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