Kanna no Kanna

He gained victory from Agat, but was immediately angered by Real. There is almost no point in using a wooden sword. I also noticed at the end.

Since then, he has been banned from using attacks other than wooden swords, that is, hitting with his fists and feet, and has once again trained with Agate.

result? After that, I lost five games and lost all. In a fierce attack as if resolving the grudge of the first battle, I kept taking one without any means to do it. He did not suffer any injuries, such as breaking his bones, but was severely hurt by hitting his head and belly. You were aiming for something that was not covered with armor. I do not complain because I do not know my feelings. I told myself that I was self-made.

In short, this is a way of fighting that can be said to be a plan for a certain level of opponent. Surprise and other surprise attacks rarely pass on them. First of all, there is no concept of surprise. Recognizing the wooden sword toss as an unmistakable "attack," I would have been intercepted without difficulty in my own pursuit. For such a strong type that can pass through, it is not possible to use simple techniques such as small work.

"Is it good next door?"

After the break, we chewed the dried meat of the preserved food, poured it with water, and we got on the carriage and left again. The next role is Agate. I was reminiscing the training I had just done in the corner of the carriage. Rand sat down beside it.

"I didn't do it, I couldn't stop Aghatt's guy." "No, I just vented a little bit here, and it was going to explode. As Real said, I've experienced training outside of him." You don't think more optimistic than it looks. It's normal to get angry if you hit it so rarely. " Because I am weak. ''

It is true that the weak are overrun.

"That's not going to demean you. It was only the first match, but you've raised a white star from him. He's one of the best young men in the service of the house of Fima. I can't win with that. "

Watch the back of Agat holding the reins of the horse in the carriage seat. Although it is somewhat less tempered than before, the atmosphere is still strong.

"What do you think Agatt looks like from you?" "That's right. It's a simple expression, but you're a good young man. That's a beauty, that's where I want a little more flexibility. "

That type wasn't around me. Arizuki's guy is Hetarei Kemen as usual, and Misaki is a fine girl. Ayana is a bit natural. The brake was me, but I think it was a relatively loose brake. The type of chair that I mentioned was a type that we didn't have.

Rand distorts the mouth in my frank words.

"I don't have a lid." "I don't hate it. I'm just not good at it. But I just need to think about human relationships a bit." "I want to get along well. But, "I don't hate it. I need to make various compromises with each other depending on future developments."

As expected, when the person himself asked, a turbulence was likely to occur, so far so quietly speaking.

"Returning to the previous training, it was a bad but good experience for him. It's bad, but it's not enough to lose his position with that degree of surprise. At that point, we can't cope with the enemy's surprise."

The previous whisper is stopped, and Rand's voice volume returns to normal. I was talking to Agat to get it.

Agat was not as good as I can tell, but he did not have much experience. He has a strong head-to-head game, but lacks experience in fighting opponents who use their hands because of the right way.

"The enemy doesn't always come waiting for the signal to start, and it doesn't always come head-on. Rather, he's always surprised and clears his eyes. In the first case, our blind spot is always It's no use to curse the enemy's despise just before his death.All you need is the experience and the attitude to be able to deal with the enemy's actions at any time. "

It's synonymous with what I said before noon. It was a word that admitted what I was saying a long way away. Hey, can I tell you that? Here, Agate's shoulder is shaking small. I want you to stop, I'm at the forefront.

When I stare at the land with a glance of blame, I once again whispered.

"It's bad for you, but be patient with the addition of the contract. I'm looking forward to his talent, and I've always wanted some flexibility. If you have an "evil way" messenger like you, you may always be able to grab something. "" I don't praise you. "" No way. I praise it more than enough. "

Suddenly, the nice guy smiled.

... this one. He is much more hazy than it looks.

Well, if that is not the case, wouldn't the commander be terrible?

"... I'm going to do something this time."

I could only say the rewards for the extras.

From then on, the journey went smoothly for several days. There were several monster attacks on the way, but they managed without any problems. Or rather, Real and Agat, and another squire will be annihilated by haste, so I have almost no turn.

Speaking of my decent job, training with Agate before lunch. Statistically, Agate's victory. However, as a special rule, I repeat about five battles each time, four times using only the sword, and the other one can move with anything I can move freely. Only once, I managed to get victory from Agat. Drinking drops a little. But he's really weak. Once you lose pace, you will drag. Conversely, if you do not break the pace, my sudden swordsman will not shake a little. It had the strength to pass on even the strongest person in "Swordsmanship" that I knew.

Looking at the results alone, we are losing to lose, but I think it was a very meaningful time. Fighting against legitimate swordsmen other than superpower fighters like Real is the experience you need to live beyond.

Well, it's not enough to train only swordsmanship. It is my principle to use whatever you can.

"Is it good around here?"

Dusk on the fourth day after leaving the previous town. As Real said, we had arrived at the next post town. Although much smaller than the town where he met Fima, he seems to have flourished as a stop point for his journey.

I was on the plain, a bit far from the town. The sun has set and time has passed, and there is no light but no problem. In a real-world Japanese city, the heavenly starlights that you can't see and the signs you feel on your skin tell you about the surroundings.

I visited such an unpopular place in order to train spiritually. For the past few days, I was refraining from using it because of the eyes of the gamer, but during that time, I was only doing image training. With a short stay, but now I can settle down in the post town, I want to turn the image into a real form and consider whether it is effective.

Real, who usually used to practice spiritism, is not here. In this case, it's just a form of image, so there is a lot of wasted work. Once it is clearer, I'll try it out with Real later to come up with an idea.

"Well, let's get started"

Focus your consciousness on the right palm. As the image drawn in my mind, a squeaking sound is created to create an ice object. The shape is thin and flat elliptical. Both ends are sharply pointed, forming a sharp blade.

Next, I made a cross two meters high and one meter horizontally at a position away from my current location. Of course, the material is ice. This time, this is a substitute.

To check the condition, I sandwiched the elliptical shape of the ice I had between my index and middle fingers and threw my arms backswing. The target is, of course, an ice cross made far away.

The sound of the ice, which does not seem to collide with the ice, echoes through the tree, and the oval shape of the thrown ice penetrates halfway into the center of the intersection of the cross.

Continuing, make about three more ice ellipses that were made earlier, throw them between the fingers of the right hand and throw them away. This time again, I pierce the intersection of the cross as expected.

What we are doing now is the development of long range attacks. In the past, far-flung opponents have thrown and kicked ice blocks, but have always been thinking of more efficient ways to attack.

In a common RPG, there is a technique of making a block of ice in the air and projecting it directly to the enemy. There's nothing that can't be done, but my lack of practice or power is not enough. It is more powerful to get the support of the spirit after actually throwing it.

This elliptical ice is shaped so that it can be used more efficiently. The reference is a shuriken often used by ninjas. We all think of shuriken as a cross shape, but that is a general term for small weapons that mainly focus on throwing. What I made this time is a type called stick shuriken. One theory has heard that this was the mainstream for ninjas. Well, it would be troublesome to make that cross shape one by one.

For now, this shuriken made of ice. Let's call it Ice Shuriken. It's cheap. Names are easier to imagine, and I only use them, so I don't accept complaints.

After that, I made a number of ice shuriken and kept throwing them. Throw with the shortest movements and refine the image so that you can get the maximum power. Until now, it was a three-step process of image → creation → grabbing and throwing the created thing. It is shortened to a two-step process of throwing it while creating an image. Shake your arms, make them in the middle and throw them in the wind. Ideally, you say you are away from your finger the next time you make it. Just throw your arm and you can throw an ice shuriken.

It took about "five hours", and the means of attack was completed as originally imagined.

"Teriyatsu"

I made six crosses instead. And there are six ice shurikens thrown with both arms shaken. The shurikens running sharply in the sky brilliantly pierced the center of the six crosses. Continuously, swing his arms continuously and fire the ice shuriken. It made a rattling noise and pierced one after another.

The ice shuriken development was completed at one point, when all six targets were unbearably broken. I'll be experimenting whenever I come up with something.

When you take a break, the exhaled air turns white.

Each one of the ice shurikens was small, but piled up with dust, and a considerable number of pieces of ice were scattered. In addition, the ice created by spiritism retains its shape without melting much longer than normal ice, even when released from the influence of spirits. They seemed to absorb the heat of the area, and the air was quite cold. The temperature is about the winter of Tokyo, but not to Hokkaido.

I dwell in the spirits again in the ice debris around me and get used to my fingers. All of the surrounding ice disappeared without a trace, following the refreshing sound. I screamed my fingers. Are you cool? Is it ruined if I say it?